Showing posts with label Sacred space. Show all posts
Showing posts with label Sacred space. Show all posts

Monday, December 11, 2017

A Favorite Scene from "Elizabeth"

Judith is the author of The Sacred Women’s Circle series, romantic fiction that honors spiritual practices that nourish the soul and celebrates the journey from relationship to romance.
I’m doing something a bit different this month by sharing favorite scenes from at least the first two books in the series Lily and Elizabeth. Last week, my favorite scene from the New Year’s Eve chapter was published. Today I’m sharing part of Sacred Space chapter. Let me know what you think and if you’d like to see this a regular feature!

Elizabeth is in Ireland and Michael’s stud farm. They have had a falling out and these are the first steps in finding their way back to each other.


Michael was hot, tired, and dirty when he came through the kitchen door. He’d mucked out stalls, hauled hay and bags of oats, and worked his horses all in an effort to forget the beguiling woman in his house. It’d been three days since he found Elizabeth unconscious, since his heart stopped, since his confrontation with The Lady.

Although She’d been quiet, he knew better than to think She’d given up. She was biding her time, waiting for the right time to come forth again. She was the spirit of this place, as old as time. She was energy manifested in the ancient blue robe of the sacred feminine, the Goddess. No, he was certain She hadn’t given up.

From the kitchen he strode down the hall to the back stairs leading up to his quarters. He desperately needed a shower, clean clothes and something to eat - in that order. Thirty minutes later he was showered, shaved, dressed, descending the main staircase for the last item on his list: to satisfy his hunger.

He noticed something different about the place, as he moved down the main staircase the tips of his fingers trailing along the smooth finish of the banister. Before he could identify what that difference was he heard Elizabeth singing.
“She’s been waiting … .”

The purity of her sweet voice, the words of the old song held Michael transfixed.
“ … to return.”

Michael remained standing on the bottom step listening to the words of a song he’d not heard in over a year, not since Shannon had left.

“ … alone.” She drew out the last word, her voice caressing the last note.
Silence.

Michael stood in the stillness, his heart beating rapidly. What if we … “No,” he muttered harshly to himself. “No,” he cursed under his breath. He stepped down the final riser to the tiled floor, his boots echoing in the large hall.

She was standing in the doorway to the front parlor, her hair tied back in a blue ribbon he was sure matched the blue of her eyes. A long dark blue skirt swirled around her bare ankles. Even though her hair was tied back, strands had escaped. Fascinated he watched her hand brush the inky tangles away, tuck them behind her ears. The indifference he’d managed the past three days, that is once the panic had dissipated and he knew she’d recover, dissolved in a rush of unrequited lust. His blood surged, his arousal stiffen.

A look of uncertainty marred her features, hesitancy her movements. She’s changed, flashed through his mind, but he couldn’t put his finger on how she was different. He stood staring at this woman, realizing he cared for her not just about her, cared far more than he wanted to. Hell and damnation. Now what, boyo?
Elizabeth’s senses were caressed by the sandalwood scent wafting across the space. His blue-black hair, still damp from his shower, showed the ridges where he’d combed it. To her, he looked spectacular: tall, dark, and handsome as sin.
Outwardly she remained still under his unrepentant gaze, inwardly a cascade of nerves sizzled. Her gaze steadfast, she straightened her spine, lifted her chin, and took a few steps away from the doorway.

“Hi, Michael, how was your day? How is Brian Boru?” Elizabeth said her voice not as soothing as she’d hoped. Her heart fluttered, her face flushed with heat, and her palms dampened.

From the moment she’d been aware of his presence, Elizabeth had scrutinized his every move and saw the subtle signs of his nervousness. Smiling, she stopped a few feet in front of him.

Michael was mesmerized by her gently swaying hips, her bare feet gliding over the floor. Her scent of bergamot and the indefinable something surrounded him, filled his senses. Her mouth, those luscious warm kissable lips were moving, were saying something. He shook his head.

“…mind, Michael. I can take them down, if you do.”

He cleared his throat, ran his tongue inside his now very dry mouth, “Sorry, Elizabeth, I didn’t catch all that you were saying.” His mouth stretched in a caricature of a smile.

“I was saying that if you mind, I’ll take the altars down. I put one up here,” she said and gestured to the table to his right, “and one is now in the front parlor. I wanted something to do and thought of creating a specific point of sacredness within each room. Would you like to see them before you make up your mind?”

At his terse nod, she moved to stand by the main hall altar. “As your life here at The Manor revolves around horses, I used them on this altar.

As you can see, I put the bronze of the foal in the East as that direction represents new beginnings, spring, birth. The mare is in the South to stand for abundance. I put the jumper in the West as that is the void and from the meets, I now know that the jumper doesn’t know what is on the other side of the jump. It’s like they are jumping into the void and it is their trust of the rider that allows this miracle to happen. I’m not sure what the significance is of the stallion in the North. It was the only place left so I just trusted that it was the right place for him to be.”

“Suleiman.” Michael reached out to stroke the bronze stallion reared on its hind legs. “This is Suleiman, the stud that built this place, the ancestor of Brian Boru.”

“Then Suleiman is in the right place,” Elizabeth’s voice was soft, she touched his sleeve with her hand. “Are you all right with this altar, here, in this space, Michael?”

His voice wasn’t steady so he remained silent, looking at the altar she’d created from bronze statues, stones, and a crystal bowl. Energy flowed from it. Welcoming and powerful, like being at the races with his horses pounding down the course, straining with purpose for the finish line, focused on the love of running. Their beauty, grace, and power were like an aphrodisiac, beckoning him to indulge in the glory of the win, endorphins taking him higher into the light of joy.

His voice was brusque, “It’s fine where it is.” He started for the door to the hallway that led to the kitchens. “I’m hungry. I’m going to see what Seamus has for dinner.” He called back over his shoulder as he kept going, “Are you coming?”
***
Elizabeth remained by the altar. He’d been affected by it. The main clue was when he’d absent-mindedly stroked Suleiman. She pressed a hand to her unsettled stomach. I miss him more than I can say and I’ve not even left for Fremont. Catching herself up short she reminded herself this line of thinking wasn’t useful. I’m hungry and dinner is waiting. The right time to talk to him will present itself. She looked at the wall beyond which lay the Sacred Grove and The Lady. Trust The Lady. She brought you here for a purpose. Trust. “Trust,” she murmured and started after him.

Your free digital copy of the first four chapters of Elizabeth: The Lady and The Sacred Grove are available here.

Go to JudithAshleyRomance.com and sign up for my occasional newsletter “Connections.” 

Follow the prompts to download your own digital copy of Lily: The Dragon and The Great Horned Owl the first book in The Sacred Women’s Circle series.

Learn more about The Sacred Women’s Circle series at JudithAshleyRomance.com

Follow Judith on Twitter: @JudithAshley19

Check out Judith’s Windtree Press author page.

You can also find Judith on FB!

© Excerpt from Elizabeth 2014 - Judith Ashley

Monday, July 17, 2017

Meet Lily, Elizabeth and Diana


Judith is the author of The Sacred Women’s Circle series, romantic fiction that honors spiritual practices that nourish the soul and celebrates the journey from relationship to romance.
Over the next three Mondays you are going to meet the women who created their own sacred women's circle.

This week meet Lily Renee Langdon Hughes, Elizabeth Mary Magdalen Elliott and Diana Louise Richards Pettybone.
Lily: The Dragon and The Great Horned Owl
Terror ratchets up Lily’s PTSD symptoms. Hypervigilance during the day. Nightmares in the dark. If she doesn’t do something different, she’ll lose her mind and maybe even her son.
What happens to us when we blame ourselves for choices we made that turn out to haunt us? How can we trust ourselves to make the right decision now? Where can we find the strength and support we need to confront our past and seek our future?
You can learn more about The Creation of Lily here. And where did The Dragon and The Great Horned Owl come from? Your hint: Lily has always been sensitive to the vibrations around her, especially from the land. Her gift is her ability to visualize the protective energy of the land on which she stands.

Elizabeth: The Lady and The Sacred Grove
Visions of The Lady haunt Elizabeth’s dreams. What does The Lady want? “Come be with me. Find me.” How? As the messages become a nightly experience, Elizabeth’s desire to travel to Ireland and find The Lady becomes an obsession.
What happens when your childhood dreams come true? What happens when your heart and your soul are on opposite sides of the world?
Learn more about Ireland and Elizabeth here. Read that short piece and you’ll know why the subtitle is The Lady and The Sacred Grove.

But what is Elizabeth’s special spiritual gift?

Her ability to create sacred space from simple, everyday objects.

Diana: The Queen of Swords and The Knight of Pentacles
Jealousy flares when Diana faces the reality that her marriage is not and never will be based on unconditional love. If she can’t rein in the green-eyed monster, she’ll lose the only truly safe haven she’s ever known.
How do you find your true self after decades of molding yourself into other people’s expectations? What must happen before you can accept someone else’s unconditional love?
My journey in writing Diana is a bit different. Learn how different in Diana, The Tarot and Me.

If you know anything about The Tarot you’ll understand more deeply the subtitle: The Queen of Swords and The Knight of Pentacles. Even if you don’t understand The Tarot, you’ll know much more when you finish Diana.

Learn more about The Sacred Women’s Circle series on my website.

Follow Judith on Twitter: @JudithAshley19

Check out Judith’s Windtree Press author page.


You can also find Judith on FB!

Monday, October 31, 2016

More Creating Sacred Space

Judith Ashley is the author of The Sacred Women's Circle series, romantic fiction that honors spiritual traditions that nurture the soul.

I’m writing this post two weeks before you’ll read it. It will be published on October 31, 2016.
Ross quartz crystal with owl and a variety of stones 

Some of you will be celebrating Halloween.

Some of you will be celebrating All Hallows Eve.

And still others of you will be celebrating Samhain (SawWen).

I will be spending time alone in the dark as the Wheel of the Year turns. Why “in the dark”? Because I will not have my porch light on or welcome trick or treaters. I stopped doing that several years ago when I was paying for my granddaughter’s dental work. Why am I giving out candy? What can I do different?

What I came up with was handing out money. For me, that meant pennies. (I live in a destination neighborhood where parents bring their children). The little ones (pre-school or maybe first/second grade were delighted. The older ones (middle school and high school, not so much). That’s when I decided to go dark.

In my Sacred Women’s Circle Series, I write about the eight Sabbats (or sacred days) in the pagan Wheel of the Year. For many believers of earth based spirituality, Samhain is the beginning of the new year. I’m one who celebrates Winter Solstice or Yule as the beginning of the Turn of the Wheel.

But I digress to some extent.

Sacred space can be anywhere you want it to be especially if that space draws you to it. What that means is the energy of that space is a good match for you. Should you desire, you can expand on that initial feeling and add items that inspire you.

If you don’t have an outside view as I do, consider hanging pictures of places that draw you in. Places you’ve been or always wanted to travel to. I did that when I worked in a job where my space was a cubicle. By surrounding myself with pictures and stones that had meaning to me, I created a sacred space that did not offend anyone around me.

Consider what you might add to your work space, your writing space, your living space if you wanted to amplify loving, positive, creative energy. There is no right or wrong answer as Elizabeth explains to young women she meets while in Ireland. It really is all about what looks and feels right (physically and emotionally) to you.


You can learn more about The Sacred Women’s Circle series on my website.


Follow me on Twitter: @JudithAshley19

I’m also on Facebook

© 2016 Judith Ashley



Monday, October 24, 2016

Creating Sacred Space

Judith Ashley is the author of The Sacred Women's Circle series, romantic fiction that honors spiritual traditions that nurture the soul.

And I paraphrase: One creative process deserves another.

Not only do I surround my computer with various stones for creative and inspirational energy, I have my computer set up so with a slight turn of my head to the right I look out into my backyard. I pay particular attention to that part of the yard I can easily see from my chair.

But that isn’t all I do to create sacred space in my office where I write. I have my Abraham Hicks perpetual calendar that I read each morning for reminders and inspiration.

Here are some items that I see whenever I walk into my officeThey are to the right of my computer on a shelf over my printer.


Candle made by my best friend and selenite lamp
Crystal gift, candle I made and selenite lamp.






















Books I use for inspiration and research are to the left of my computer along with two large stones that act as bookends: rose quartz and lavender quartz.

Feather and bling arrangement
Behind my computer monitor is a fantastic collection of peacock feathers, some natural and some with glitter, with three mirrored stems and two ostrich feathers. When the sun comes through the window behind me in the winter and hits the mirrored teardrop shapes, rainbows sprinkle the walls.

I find this beautiful arrangement made up of feathers I’ve collected in different places as well as some elements that were decorations on baskets I’ve won at writer’s conferences to be touched with romance.

I write romantic fiction or main stream fiction with a strong romantic element. My books also have a strong spiritual theme that runs through each book. By mixing spiritual and romantic elements in my writing space, I support my creative self.

How do you support your creative self in the physical space where you write?



You can learn more about The Sacred Women’s Circle series on my website.


Follow me on Twitter: @JudithAshley19

I’m also on Facebook

© 2016 Judith Ashley